Maria Grazia Chiuri provides a strong paradox – clashing harmless preppiness with a nimble nonchalance
By Manish Mishra
UPDATED ON MAR 09, 2021 12:41 AM IST
The Corridor of Mirrors on the Château de Versailles and Christian Dior have a major historical past. Who might overlook these magical Dior Secret Backyard movies shot on the likes of Rihanna in these gleaming Baroque bastions? So selecting this iconic locale (dotted with artworks by the Italian artist Silvia Giambrone) was a becoming tribute to the design home’s heritage by Maria Grazia Chiuri for the label’s AW 21 outing.
As Maria’s gang of insouciant college ladies strutted up and down the gilt edged passage, the visuals evoked a fantasy story which Maria titled, ‘Disturbing Magnificence’ taking a dig on the prevalent social media propelled narcissism. She made an emphatic level of not getting trapped into the mirror craze as there was much more to 1’s identification than a mere reflection. Aren’t all of us consumed by our personal picture?
Making socio-political commentary and triggering debates on subjects, which make you suppose is nothing new in Ms Chiuri’s physique of works and on this digital showcase, she blended masculine and female codes of dressing to conjure a closet of a assured dresser able to take cost within the publish pandemic world.
Extrapolating menswear materials and recontextualising sporty puffers in Dior’s cannage sample, she completed off her ensembles with using hoods and theatrical capes which might have been straight out of Magnificence And The Beast. Furthermore, MGC dug deep into the French home’s archive recreating roses and apples—derived from the works of Andrée Brossin de Méré within the ’50s.
The lineup gloried due to the delectable dichotomy at work. Crisp white assertion collared items have been clashed with broderie anglaise knits or laser-cut leather-based creating a visible stress of kinds.
The opening array of monochromatic, gray and midnight blue ensembles made method for fiery reds, plaids and mushy ombré items. Among the kohl-eyed fashions sporting both fringes or centre-parted hair have been styled with both a hijab-like scarf or Dior’s veiled beret.
The closing heart-shaped crimson quantity was a classy end to this cinematic outing steeped in literature, drama and intrigue. The brand new Dior lady is not any wallflower, however a robust female power who has a thoughts of her personal and a robust sense of identification.
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